Look at me, getting Emmelie De Forest all wide-eyed! I'm pretty sure it was when I told her that I was one of her pledgers towards her EP on PledgeMusic - she appeared to be pleased...
Where were we last Saturday (9th September)? It was all a bit earlier in the year than before but I still made it to:
2017 at the Park Inn had a lot to live up to - much like Kyiv 2017, this year's Eurobash was a necessary reset of my expectations. Things can never get better ad infinitum - the Eurobash I have just experienced was probably never going to be on the level of 2016, purely because I got so much out of the day itself eleven months ago and also because my Eurovision 'career' has gone up several notches since then. That doesn't mean that this year wasn't good - there were quite a few new highs. Let's summarise the event step by step...
Getting There...
Yes is the answer to both of those questions - the reason why I had to take a detour into South Wales was due to my nearest station, Bristol Parkway, being closed for two weeks due to electrification works. This meant I had to begin my journey from a smaller local station, travel to Newport and then travel from there to Manchester. It didn't help that the train up to Eurobash was only TWO CARRIAGES long and stopped throughout East Wales and Shropshire before reaching Crewe - luckily I got a seat from the off and got to meet Paul and Lloyd on the platform, who were also travelling up. Spending 30 minutes out and 75 minutes (due to a cancelled connection) back there waiting for connections was not my idea of fun - at least Uber worked marvellously in Manchester...
Wining and Dining...
For future reference, the Oriental Duck at the Banyan Bar and Kitchen Restaurant in the Corn Exchange is well worth having! As was the food provided by the Park Inn for Eurobash - over indulgence all day and a huge chip butty to top it off at midnight! If only the price of a pint at the hotel hadn't left just 20p change from a fiver...
Friday Night Entertainment...
This was part of it - two sculptures on the side of a stereotypical concrete 1960/70s city building. No one from the city itself told me what it was - a friend from Bristol informed me that as an art form to brighten up a building from the former UMIST, the sculptures are called "The Graduate Training". Who said that Eurovision events weren't 'edukazional'?
The real highpoint of Friday was Bar Pop and I have to say that this is the best pre-Eurobash drinks establishment I have been to - excellent choice, whoever went with this one. It was within walking distance of the hotel (when sober) and the only thing about it all that was cheap was the beer - £2 a pint, not experienced that since...I can't remember when! Upstairs, the ambiance was superb - great music of course from DJ Danny to accompany some decent chats with quite a few OGAE members who I'd not really had the pleasure of talking to at any length before. Vocalist extraordinaire Adam, our representative at the OGAE Berlin Contest, filled me in about his experiences, how some of his competition had been in the audition stages of certain music reality shows and were demanding dance routines be built into their entries - it makes his finishing position sound all the better once you know that! I got chatting with Eddie about blogging - I hope that our chat inspired him to try it out, as his ideas would provide a totally different outlook on Eurovision and I'd definitely read it. I also conversed with John and Rodney - Bar Pop allowed us all to drink, enjoy the music and have a good old natter. There was even a bar photographer who put pictures up on their Facebook page - I wasn't obviously photogenic enough but two ladies who I'd seen at previous Eurobashes and wanted to chat to were:
I finally got to meet and chat with Maria and Robyn on Saturday - the tongue had gone by then...
Interviewing The Guest Stars...
During Eurobash itself, Monty was the compère of The Guest List and it was a superb session, as always. I'll get to a summary of what answers came out that in a moment - the only disappointment of the day for me happened about an hour beforehand...
To be honest, since I have started interviewing Eurovision stars, everything has gone so smoothly to date that 'having the rug pulled at the last minute' had not even entered my mind - I suspect that this is actually part and parcel of such events and I have just been very lucky in the past! If I had known that was going to happen more than two minutes before my first allocated interview time, I would have passed all my questions onto Monty but he was the master researcher and had more or less picked up on everything I had. The stand out moments of the session for me were:
Where were we last Saturday (9th September)? It was all a bit earlier in the year than before but I still made it to:
The annual get together of OGAE UK, this was now my fourth outing, my second in Manchester. Up to now, each year had brought something new for me...
2014 - my first, all new experiences for a Eurobash newbie;
2015 - my second at Birmingham and the first where I met a lot of online friends, together with guests who had a 'less positive' time at Eurovision; and
2016 - my 'Stockholm 2016', the best to date, my first interviews with Eurovision stars, an almost perfect event.
2017 at the Park Inn had a lot to live up to - much like Kyiv 2017, this year's Eurobash was a necessary reset of my expectations. Things can never get better ad infinitum - the Eurobash I have just experienced was probably never going to be on the level of 2016, purely because I got so much out of the day itself eleven months ago and also because my Eurovision 'career' has gone up several notches since then. That doesn't mean that this year wasn't good - there were quite a few new highs. Let's summarise the event step by step...
Getting There...
Isn't Newport in Wales, I hear you all cry? Don't you live near Bristol?
Yes is the answer to both of those questions - the reason why I had to take a detour into South Wales was due to my nearest station, Bristol Parkway, being closed for two weeks due to electrification works. This meant I had to begin my journey from a smaller local station, travel to Newport and then travel from there to Manchester. It didn't help that the train up to Eurobash was only TWO CARRIAGES long and stopped throughout East Wales and Shropshire before reaching Crewe - luckily I got a seat from the off and got to meet Paul and Lloyd on the platform, who were also travelling up. Spending 30 minutes out and 75 minutes (due to a cancelled connection) back there waiting for connections was not my idea of fun - at least Uber worked marvellously in Manchester...
Wining and Dining...
For future reference, the Oriental Duck at the Banyan Bar and Kitchen Restaurant in the Corn Exchange is well worth having! As was the food provided by the Park Inn for Eurobash - over indulgence all day and a huge chip butty to top it off at midnight! If only the price of a pint at the hotel hadn't left just 20p change from a fiver...
Friday Night Entertainment...
This was part of it - two sculptures on the side of a stereotypical concrete 1960/70s city building. No one from the city itself told me what it was - a friend from Bristol informed me that as an art form to brighten up a building from the former UMIST, the sculptures are called "The Graduate Training". Who said that Eurovision events weren't 'edukazional'?
The real highpoint of Friday was Bar Pop and I have to say that this is the best pre-Eurobash drinks establishment I have been to - excellent choice, whoever went with this one. It was within walking distance of the hotel (when sober) and the only thing about it all that was cheap was the beer - £2 a pint, not experienced that since...I can't remember when! Upstairs, the ambiance was superb - great music of course from DJ Danny to accompany some decent chats with quite a few OGAE members who I'd not really had the pleasure of talking to at any length before. Vocalist extraordinaire Adam, our representative at the OGAE Berlin Contest, filled me in about his experiences, how some of his competition had been in the audition stages of certain music reality shows and were demanding dance routines be built into their entries - it makes his finishing position sound all the better once you know that! I got chatting with Eddie about blogging - I hope that our chat inspired him to try it out, as his ideas would provide a totally different outlook on Eurovision and I'd definitely read it. I also conversed with John and Rodney - Bar Pop allowed us all to drink, enjoy the music and have a good old natter. There was even a bar photographer who put pictures up on their Facebook page - I wasn't obviously photogenic enough but two ladies who I'd seen at previous Eurobashes and wanted to chat to were:
I finally got to meet and chat with Maria and Robyn on Saturday - the tongue had gone by then...
Interviewing The Guest Stars...
During Eurobash itself, Monty was the compère of The Guest List and it was a superb session, as always. I'll get to a summary of what answers came out that in a moment - the only disappointment of the day for me happened about an hour beforehand...
None of the Guests wanted a 1-2-1 interview.
To be honest, since I have started interviewing Eurovision stars, everything has gone so smoothly to date that 'having the rug pulled at the last minute' had not even entered my mind - I suspect that this is actually part and parcel of such events and I have just been very lucky in the past! If I had known that was going to happen more than two minutes before my first allocated interview time, I would have passed all my questions onto Monty but he was the master researcher and had more or less picked up on everything I had. The stand out moments of the session for me were:
- Emmelie De Forest making Yvie Burnett and Selma Björnsdóttir feel old, with her earliest Eurovision memory being The Olsen Brothers winning in 2000 when she was seven;
- "Only Teardrops" originally had bagpipes in it, instead of the penny whistle it ended up with;
- And the aforementioned penny whistle was a popular 'press gift' in Malmö, although Monty likened the press pack to a 'bunch of seven year olds' in the days after;
- Selma had 19 songs to choose from for her 1999 entry;
- She was also surprised how busy she was at Eurovision, as she had been told by previous Icelandic entrants that "she would be drunk all week"!
- Yvie met her husband at a Deacon Blue concert, who introduced her to Louis Walsh and gave her the break into being a coach;
- Jade Ewen needed confidence boosting for 2009, given she was singing on such a big stage;
- Selma found 1999 a friendlier experience than 2005 - all the contestants were in the same hotel and she got to know them really well;
- Selma found being Sylvia Knight's choreographer a nightmare due to her 'acting';
- Emmelie gave us an insight into the 'songwriters camp' where she wrote "I Will Never Give Up On You";
- Yvie informed us all that being on the UK Jury in 2015 was very strictly controlled and she wasn't able to talk to anyone else, and she meant ANYONE! It was funny to hear how the members of the jury 'communicated' with verbal noises and smiles;
- "Golden Boy" was her favourite in 2015 - she 'joked' that it was all about the shoes;
- And Yvie does like her shoes!
- Selma's life is now theatre and film - casting, directing, performing. Lots of musicals, theatre plays and even a new Icelandic film, "Under The Tree";
- Yvie pointed out that she can't quite help everyone sing!
I think that the only questions I would have added were asking more about Emmelie's PledgeMusic EP, Selma's carpool with Svala and Yohanna, and probably more about Yvie's vocal coaching during the 2016 UK NF. Having said that, this was a great Guest List - it's always nice to see three people who are obviously very happy with their careers and who gave us all a very entertaining hour and a bit of their time!
The break afterwards did give everyone in the room an amazing opportunity to get selfies/pictures with the stars of our show. You've already seen one at the start of the article - here are the rest (some of which have already appeared on my Instagram and Facebook pages):
I also got a book signed by Yvie - I'm not a singer so I'm not sure that I'll be taking the contents of her tome to heart but you have to buy one in these circumstances, don't you?I found out at this stage that the reason for Emmelie not being as available as much as she would like was that she was going to see her cousin play for Manchester City Academy. What she did do was play the early set during the Battle - I managed to get a decent enough video of her singing, well, what else?
I'm looking forward to being a PledgeMusic VIP at one of her gigs, I can tell you...
It has to be said that the real headline act for this year's Bash was Selma, her whole set being officially recorded for posterity by Robin of OGAE:
A truly wonderful 41 minutes of Eurovision hits, musical theatre, Country & Western and two Eurovision medlies, where she generously shared the stage with the Eurostars contestants. We even got to hear a specially written English version of “Amar pelos dois”, together with lots of Icelandic versions of songs that makes being a Eurovision fan totally worthwhile. I've seen some great acts on the Eurobash stage during my four visits and I have to say something here...
It was probably due to her amazing repertoire of performing on stage, screen, tv and Eurovision that has allowed her to build up so much material but I would be delighted to see her perform again if I had the chance. She was generous with her time with the fans too - she was happy to chat with them all and if I had known that I wasn't going to have an interview slot with her, I would taken advantage of the fact she was at Bar Pop and available all the way throughout Bash day. A true star...
The Old Favourites were back - Euroquiz and The Battle...
After a year's absence, the Battle was back! Danny and Paul both presented this event with due aplomb, leaving us to work out who the best UK entry was (or at least from twelve different sub groups!). My picture of the final scoreboard was pretty poor, so I have borrowed Matthew's picture that shows that the OGAE Bash crowd decided that the UK entry of 1997 was the best ever:
I love the Battle as I always seem to be on the table that gives out a controversial set of scores - see table 6? That was the SONIA table - Alec, Daniel, Eddie, Harry, Maria, Neil, Nigel, Rob, Robyn and myself. We had Bardo's "One Step Further" down in 11th (on an individual basis, I did too) and almost certainly cost that entry second place. My all-time favourite from 1972 at least made it into the top 5 and I was delighted that if that didn't win, that my second favourite of "Love Shine A Light" did. It was a close run thing though - Katrina had to defeat Gina G to even get into the Final - see what I mean about the sub group issue? An entertaining session though - not sure what the category will be in 2018...
As for the Euroquiz, I really only came into my own this year in the Final round as we had an assembly of Eurovision trivia experts on the Sonia table. I managed my usual three this year that counted:
The question setters like Molly - she was who accompanied Stunt with their hit Raindrops...
Oldest living UK Eurovision artist - Teddy Johnson...
And I was never going to forget Alex and Bianca's surnames, seeing they were only at Eurobash two years ago and are FB friends (Larke and Nicholas)!
There was one other that I did know but was outvoted, such is the want of quiz teams - the name of the singer from Bad Boys Inc who sung at Eurovision : You Decide 2016? Matthew James:
Nathan James is who we went for - there is a singer by that name who fronts a UK rock band called Inglorious but that didn't get us the point. Which was a shame as we finished joint runner-up with 25 marks, behind the joint leaders who had half a mark extra. I can't grumble though, I didn't know the other 22 answers everyone else on the table got right! I am claiming my highest number of right answers to date though - FOUR. If I go to enough Bashes, maybe I'll break double figures one day!
Eurostarz 2017 - Something us UK fans thought we'd never hear...
Eurovisionary reporter Theo Vatmanidis perfectly captured the moment that Selma was given the envelopes of who was third, second and first at Eurostars 2017. It was a great contest as usual, with a variety of straight covers of Eurovision entries and a couple of, how shall I put it, more comical ones? Have a watch of the show - I think you'll go for who I did as the winners...
Ever think you'd hear the words "And Jemini are the winners"? Me neither but Sylvia and Edward were absolutely superb in their take on "Cry Baby" - it takes real skill to get your act spot on with the worst UK entry ever! All of the entries were excellent this year - would I ever do it? Not sure I know a Eurovision song well enough to do it justice...
I missed the EuroDisco...
When I say missed, I mean 'not danced at'. I have no idea if my choices were played:
I missed all this as I was chatting at the bar and eating chip butties:
I'm sure that everyone else enjoyed these mixes though - I'm now too old for all of that moving and grooving...
And so my fourth Eurobash drew to a close - excellent in ways totally different to the previous four and yet not quite my favourite, mainly due to missing out on 1-2-1 chats with the Guests this year. Friday night was the best yet, Selma was far and away the stand out Guest performer of all my Bashes and I had my best finish in the Quiz. Superb organisation as per usual by all the OGAE team - everything that they could control was all in hand and ran wonderfully smoothly. If the Interviews had gone ahead, I am sure that 2017 would have hit a new high...
Of course I am, although it will be the start of a new era with both the main host of Eurostars (Dean) and the Head Organiser (Paul) stepping down this year. I wonder whether we will be moving venue - two years at Birmingham, two years at Manchester. I suppose that all depends where the organisers are based - having it somewhere in Bristol or London would be good though! And maybe having it a bit later, back where it normally is in early October - just throwing some suggestions out there...
I'm looking forward to being a PledgeMusic VIP at one of her gigs, I can tell you...
It has to be said that the real headline act for this year's Bash was Selma, her whole set being officially recorded for posterity by Robin of OGAE:
A truly wonderful 41 minutes of Eurovision hits, musical theatre, Country & Western and two Eurovision medlies, where she generously shared the stage with the Eurostars contestants. We even got to hear a specially written English version of “Amar pelos dois”, together with lots of Icelandic versions of songs that makes being a Eurovision fan totally worthwhile. I've seen some great acts on the Eurobash stage during my four visits and I have to say something here...
Of all the special guests I have watched on that stage, Selma bested everyone else!
It was probably due to her amazing repertoire of performing on stage, screen, tv and Eurovision that has allowed her to build up so much material but I would be delighted to see her perform again if I had the chance. She was generous with her time with the fans too - she was happy to chat with them all and if I had known that I wasn't going to have an interview slot with her, I would taken advantage of the fact she was at Bar Pop and available all the way throughout Bash day. A true star...
The Old Favourites were back - Euroquiz and The Battle...
After a year's absence, the Battle was back! Danny and Paul both presented this event with due aplomb, leaving us to work out who the best UK entry was (or at least from twelve different sub groups!). My picture of the final scoreboard was pretty poor, so I have borrowed Matthew's picture that shows that the OGAE Bash crowd decided that the UK entry of 1997 was the best ever:
I love the Battle as I always seem to be on the table that gives out a controversial set of scores - see table 6? That was the SONIA table - Alec, Daniel, Eddie, Harry, Maria, Neil, Nigel, Rob, Robyn and myself. We had Bardo's "One Step Further" down in 11th (on an individual basis, I did too) and almost certainly cost that entry second place. My all-time favourite from 1972 at least made it into the top 5 and I was delighted that if that didn't win, that my second favourite of "Love Shine A Light" did. It was a close run thing though - Katrina had to defeat Gina G to even get into the Final - see what I mean about the sub group issue? An entertaining session though - not sure what the category will be in 2018...
As for the Euroquiz, I really only came into my own this year in the Final round as we had an assembly of Eurovision trivia experts on the Sonia table. I managed my usual three this year that counted:
The question setters like Molly - she was who accompanied Stunt with their hit Raindrops...
Oldest living UK Eurovision artist - Teddy Johnson...
And I was never going to forget Alex and Bianca's surnames, seeing they were only at Eurobash two years ago and are FB friends (Larke and Nicholas)!
There was one other that I did know but was outvoted, such is the want of quiz teams - the name of the singer from Bad Boys Inc who sung at Eurovision : You Decide 2016? Matthew James:
Nathan James is who we went for - there is a singer by that name who fronts a UK rock band called Inglorious but that didn't get us the point. Which was a shame as we finished joint runner-up with 25 marks, behind the joint leaders who had half a mark extra. I can't grumble though, I didn't know the other 22 answers everyone else on the table got right! I am claiming my highest number of right answers to date though - FOUR. If I go to enough Bashes, maybe I'll break double figures one day!
Eurostarz 2017 - Something us UK fans thought we'd never hear...
Eurovisionary reporter Theo Vatmanidis perfectly captured the moment that Selma was given the envelopes of who was third, second and first at Eurostars 2017. It was a great contest as usual, with a variety of straight covers of Eurovision entries and a couple of, how shall I put it, more comical ones? Have a watch of the show - I think you'll go for who I did as the winners...
Ever think you'd hear the words "And Jemini are the winners"? Me neither but Sylvia and Edward were absolutely superb in their take on "Cry Baby" - it takes real skill to get your act spot on with the worst UK entry ever! All of the entries were excellent this year - would I ever do it? Not sure I know a Eurovision song well enough to do it justice...
I missed the EuroDisco...
When I say missed, I mean 'not danced at'. I have no idea if my choices were played:
I missed all this as I was chatting at the bar and eating chip butties:
I'm sure that everyone else enjoyed these mixes though - I'm now too old for all of that moving and grooving...
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And so my fourth Eurobash drew to a close - excellent in ways totally different to the previous four and yet not quite my favourite, mainly due to missing out on 1-2-1 chats with the Guests this year. Friday night was the best yet, Selma was far and away the stand out Guest performer of all my Bashes and I had my best finish in the Quiz. Superb organisation as per usual by all the OGAE team - everything that they could control was all in hand and ran wonderfully smoothly. If the Interviews had gone ahead, I am sure that 2017 would have hit a new high...
Am I up for Eurobash 2018?
Of course I am, although it will be the start of a new era with both the main host of Eurostars (Dean) and the Head Organiser (Paul) stepping down this year. I wonder whether we will be moving venue - two years at Birmingham, two years at Manchester. I suppose that all depends where the organisers are based - having it somewhere in Bristol or London would be good though! And maybe having it a bit later, back where it normally is in early October - just throwing some suggestions out there...
But that is all up for grabs -
Here's to next year's frivolities, wherever they may be!