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[LMBTO] "Let Me Be The One" Eurovision Show 81 - It's the ROXEN Show!

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It really was the ROXEN Show this week, as all FIVE songs she will be singing at Romania's Selecția Națională 2020 on Sunday were played back to back this week in the second hour:


Alcohol You
Beautiful Disaster
Cherry Red
Colors
Storm

One of those will be the track that ROXEN will present in Rotterdam in May, chosen by a 50/50 split of jury and public - I am intrigued to hear how they will all be presented live but until then, you can hear them plus 20 other Eurovision songs on the show here...



So ROXEN takes up a big part of hour two, who else is there?  Lots of National Final songs from Serbia, Estonia, Moldova, Belarus and Iceland, all of whom will be deciding their entries over the next seven days too, plus Eurovision entries from the UK and Germany who decide today (Thursday 27th February)...

"Voda" (live) - Ana Soklič
"Solovey" - Go_A
"Empires" - Alicja
"We Are One" - Frida Öhrn
"Surface" - Ellen Benediktson & Simon Peyron
"Gerbera amarela do sul" - Filipe Sambado
"Still In Love With You" - Electro Velvet
"Sister" - S!sters
"Oči Meduze" - Andrija Jo
"Hasta La Vista" - Hurricane
"True Love" - Angelika Pushnova
"Beautiful Lie" - Jaagup Tuisk
"Break Me" - Laura
"Die For You" - Catarina Sandu
"Prison" - Natalia Gordienko
"Alcohol You" - ROXEN
"Beautiful Disaster" - ROXEN
"Cherry Red" - ROXEN
"Colors" - ROXEN
"Storm" - ROXEN
"Echo" - Nína
"Meet Me Halfway" - Ísold & Helga
"Think About Things" - Daði & Gagnamagnið
"Mil etter mil" (2009 Remaster) - Jahn Teigen
"Let Me Be The One" - The Shadows

The tracks from Andra Chansen in Sweden and that solo one from Portugal look a little lonely but their time will come!  The rest of the show was made up by the three winners from Slovenia, Ukraine and Poland - let's start with the striking figure of Ana Soklič, who won EMA 2020 in Slovenia:
"Voda" translates as "Water" and Ana sung as though the words she sung were produced from a mountain stream and gave us the purest liquid possible.  She sung her song beautifully, every part of the song technically perfect, every high and low note spot on.  She also connected with the camera, almost beguiling me to watch her as she provided a story out of nothing - the staging was just her and that wonderful white outfit.  It will be interesting to see if the Slovene version of the song used specifically for the Slovenian NF will be that sung in Rotterdam - given that this song was written in English, I wonder if we will see Ana switch and whether that will lose some of the magic she cast over the voters last Saturday.  I am sure that "Voda/Water" will garner plenty of jury votes in May, the big question will be how will it fare in the already tough SF1, where she is likely to be compared to the huge ballad that is Norway's "Attention" and even the refined and slick "Release Me" from Belgium.  Having said that, she appears to be a really delightful interviewee and I hope that Ana appears in London and Amsterdam.  Slovenia have gone for a calm ballad and soothing tones this year - not so Ukraine...
Go_A won Vidbir 2020 with "Solovey" and they did get the unanimous top spot with jurors and public, unheard of before Saturday's win.  They are also singing in Ukrainian in May, again a first for a Ukrainian entry, and they have incorporated traditional instrumentation in among their electronica.  Even the vocal style is one we Eurovision fans recognise from 2019, the White Voice that Poland's Tulia used, but that is where all my positives stop!  I am fully aware that many Eurovision fans have already placed this entry as their top so far out of 14 - I am the opposite.  I was fine with Tulia's harmonised tones that gave me a chance to digest their sound and appreciate this style of singing unused to being played in the UK.  Go-A's vocals however have a weird effect on me in that it cuts right through my head and produces an actual pain in my ears!  I really cannot explain it but there must be something in the tone or harmonics of the sound that causes such an effect and I have already started removing my headphones and turning down the volume when this track appears.  Unfortunately for Ukraine, the chances of this track NOT being my number 41 this year is very, very slim!  I am sure this will make it into the Final as juries are likely to either give "Solovey" 12 points or zero, a sure fire method to get enough points to make Saturday night.  They just won't be MY favourite on the night.  As for the third nation to pick last weekend, I am still undecided as to how well it might do in The Netherlands:
Alicja Szemplińska (or Alicja, as she seems to also be known professionally) won the three artist show called 'Szansa na sukces' in Poland, beating Albert Černý (plus Lake Malawi) into second place with her song "Empires".  There was no way of promoting her song on my show before the NF as nobody really had heard it before Sunday!  The song was so new that it was clear that she was nervous performing it the first time around - the winner's reprise allowed her to give a better vocal to go with the visually passionate delivery of the song that this winner of The Voice Poland gave during the Final itself.  "Empires" has already been given the 'Bond Theme' tag by many fans which can be a good thing ("Rise Like A Phoenix") and not so good ("A Matter Of Time").  Where will "Empires" come between those two?  At the moment in SF2, Alicja only has Arilena Ara for company within the power ballad category, and Poland always has their diaspora so Alicja should make it through, especially as her song is less divisive than "Fire of Love (Pali się)" was.  Even though Poland are riding high in JESC, I suspect that their delegation will be more than happy with Final qualification, given that Kasia Moś was the last Polish artist there in 2017.

Besides the current season that is coming to a crescendo as far as qualification is concerned, I paid a tribute to a Eurovision legend from Norway who passed away on Monday, Jahn Teigen:
The singer who will be forever linked to the immortal phrase "nil points" more than anyone else was so much more than that.  Jahn was an icon in his homeland, performing at Melodi Grand Prix fourteen times together with being the host and interval act there too.  Fans forget that he also had a 12th and 9th place in 1982 and 1983 as well and so had a really decent Eurovision portfolio but it was in Norway that he was especially loved - that you could tell by the statue cast in his honour that was covered with floral tributes yesterday (Wednesday):
Looking at the statue makes me smile as the likeness is striking and it does trigger memories of that incredible performance back in 1978:




It is a shame that this was not available commercially to play on my show this week, just the remastered 2009 version which is clean and vocally sound but had lost all the passion of his staging in Paris.  At least you have both versions to enjoy now - a fitting tribute to a real legend of Eurovision!
Show 82 will contain a real special moment for us UK fans - the 2020 entry that is to be revealed later today (Thursday 27th) between 9.30-10am GMT.  There have been so many rumours about who it is that I have ignored all of that to wait for Greg James/Scott Mills/Ken Bruce to reveal all and I will hopefully cover that in a separate post.  Tomorrow will also have the German entry reveal in the evening and then EIGHT more songs for Rotterdam by the end of Sunday...

UNITED KINGDOM
GERMANY
BELARUS
CROATIA
ESTONIA
MOLDOVA
ICELAND
SERBIA
GREECE
ROMANIA

Fourteen will become TWENTY-FOUR in a matter of 72 hours...wow!



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